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brainwashed

Robert Piotrowicz, "Euzebio"

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cover imageEuzebio is Robert Piotrowicz's first record of solely modular synthesis after a period of working within different contexts.  The recent Crackfinder was a collaboration with Jérôme Noetinger and Anna Zaradny, and Walser was a film soundtrack, so there has not been a "pure" Piotrowicz record for a while.  It is obvious, however, that he has not lost his way when it comes to his preferred instrument.  Again he coaxes some of the most varied sounds yet from his bank of electronics (in this case Buchla and EMS synthesizers), and focuses not just on the noisier characteristics of his previous works, but also some more traditional, rhythmic structures to vary things nicely.

Last Updated on Saturday, 18 April 2020 17:47 Read more...
 

Sir Richard Bishop, "Oneiric Formulary"

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Sir Richard Bishop, Oud, Lute, acoustic guitar, or lap steel guitar? While my musical knowledge is varied, my ear is not trained to pick out the many instruments used or mimicked by Bishop. He makes guitars sound like any of these aforementioned instruments, at any point in time, with practiced fingers and the equivalent musical knowledge of a library with every note he plays, a master guitarist proficient in a variety of guitar techniques and knowledge of music traditions. His latest album excels in his freer use of experimentation with theme and electronics, crafting a "dream pharmacy" as the title implies.

Last Updated on Sunday, 12 April 2020 10:11 Read more...
 

E, "Complications"

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E, 'Complications'Creating memorable music is not always about throwing musical spaghetti at the wall to see what sticks; like any recipe, there are common ingredients to music’s magic—tempo, chorus and yes, a certain predictability—and the best dishes come from the extrapolation of the cook’s own prime ingredients into their own musical concoctions. Having a formula is no more dangerous to “real” music as a recipe is to a “real” chef; the best music in the hands of masters balances an adherence to these rules with free-flowing creativity, while those less experienced either know nothing about the recipe, or follow the recipe too strictly. Boston based trio E comprises all masters: guitarist Thalia Zedek (Come, Uzi, Live Skull), guitarist and inventor Jason Sidney Sanford (Neptune) and drummer Gavin McCarthy (Karate). Their third release doesn’t create any new formulas, but rather expounds on the tasty blend of the prior two releases, honing the skills of three masters into an even finer dish of practiced and precise dark energy.

Last Updated on Sunday, 05 April 2020 09:32 Read more...
 

"Tiny Portraits Complete Compilation"

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https://f4.bcbits.com/img/a2902659876_16.jpgInternational sound art label Flaming Pines has collected 24 singles in the Tiny Portraits series to form this pay what you want compilation of music dedicated to overlooked places. Each artist was asked to examine a physical space or location, and create a portrait of that space using whatever mode of creative inquiry they have in their toolbox. As an album, the music veers through manifestations of sound, with peaks and contours that are mostly peaceful in character. The result is an evocative, varied collection, with each piece a startlingly unique contribution to the whole, to be enjoyed as part of a journey through physical reality.

Last Updated on Wednesday, 15 April 2020 07:24 Read more...
 

Klara Lewis, "Ingrid"

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cover imageI was quite curious to see which direction Klara Lewis's latest album would take, as her previous solo releases were generally quite radical and hyper-constrained in their avoidance of anything resembling conventional instrumentation.  While both Ett and Too are aptly described by Editions Mego as "eerie rhythmic variations," such a summary falls short in conveying the uniqueness of Lewis's vision, as it often felt like she was quixotically attempting to compose pop songs solely from murky field recordings and decontextualized fragments of beats and melodies.  With Ingrid, however, Lewis makes a dramatic and unexpected aesthetic reversal, as she slowly transforms a haunting and melodic cello loop into a wonderfully gnarled and heaving longform piece.

Last Updated on Monday, 06 April 2020 06:41 Read more...
 


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