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Written by Matthew Jeanes
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Monday, 03 October 2005 |
Like great film noir, every
piece of Murcof's puzzle is obviously manufactured and manipulated and
calculated and refined; it so completely captures a tone that I don't
mind that the sets are fake or the lighting is hyper-real.
Leaf
I was introduced to Murcof's work with last year's Utopia single and I was hoping that the follow up album to that would be as good as the single promised. With Remembranza,
Murcof does not disappoint. It's difficult to say where this music
would fall in record bins filed by genre, but what matters is that
regardless of the conventions of the particular slice of the musical
spectrum that Murcof is working in, he manages to fill his songs with
depth and atmosphere. Remembranza is full of distant, reverb
soaked pianos, suspensful string arrangements that hang in the air like
smoke in a dark, shady pub, and autoclave-cleaned beats that nearly
fall into minimal techno rhythms, but rarely serve as the impetus for
dance. The result plays out like techno noir made for headphones rather
than dancefloors. This is music for murder mysteries and hardened
gumshoes and crazy dames, but it's all controlled so precisely that it
never evokes a real, urgent sense of dread. People not
usually won over by the abstraction and detachment of clicky minimalist
electronica should find that Remembranza supplies enough clicks
and pings and muted thumps to stand in for that style, while it also
provides the emotional backdrop of a film score or well-orchestrated
pop music. I'd love to hear this record with some sultry, bluesy vocals
over it. As is, it's still a wonderful piece of deep listening mood
music just waiting for a film to be shot to go with it.
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