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Nightmares On Wax, "In A Space Outta Sound"

Noticeably stepping away from 2002's accessible Mind Elevation, in particular its almost radio-friendly verse-chorus-verse cuts, the latest N.O.W. album serves not as a return to form but rather as a bridge between that album and the tokeworthy downtempo delights of his post-bleep back catalog.


Boasting stellar production that shames his gaggle of imitators, the results are by-and-large gratifying, but can prove somewhat grating due to an unyielding sense of repetition. No one can deny that George Evelyn knows how to lay down a damn fine groove. How effective he is translating that into a proper song remains up for debate. Case in point: although exhibiting a solid foundation, opener "Passion" just begged for something more than herbal accompaniment to prevent me from skipping through at its midpoint, a rather rough way to start off an album.

However, Evelyn knows how to take total control of his listeners, blunted or otherwise, and applies himself towards such means on several occasions here. No true roots reggae devotee could possibly pass over the sun-drenched "Flip Ya Lid", with classic toasting, subtly dubby echoes, and a bassline begging for a massive sound system. "I Am You" is good old fashioned American blues put through the N.O.W. ringer, lyrically sparse but sonically infused with sincere emotion and spirituality. "Damn" stands out as the true gem of this record, brimming with soulful R&B sensibility and a hefty dollop of uplifting gospel, starkly contrasting with the desperation of the lyrics.

His best album since the essential Carboot Soul, In A Space Outta Sound goes down easy for purists and novices alike, proving that despite even my own protests, Warp isn't completely useless these days.



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Vars of Litchi, "Live 190706"
This review is long overdue. This disc has been slipping up and down the pile of music that I feel has to be covered for a while now. Whenever I find myself getting around to playing it, I’m left thinking what an incredible debut release this is, and that the word needs to be spread. So finally five months later I’ve gotten my finger out. This four-tracker was recorded at Glasgow's Nice & Sleazy and captures the drums/guitar duo of Jack Figgis and Gordon McDougal in a form that belies the fact that this is their first release. The playing scarcely contains the music’s constructive but experimental nature and the very obvious sense of molten energetic live playing.
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