brainwashed

  • Increase font size
  • Default font size
  • Decrease font size

Douglas Lilburn, "Complete Electro-Acoustic Works"

Douglas Lilburn was already an award-winning composer when he turned from conventional music to focus on electronic music, founding New Zealand’s first electronic music studio at Victoria University of Wellington in the late 1960s. The three CDs and the DVD comprising this collection contain many valuable pieces that highlight Lilburn’s contributions to the electronic form.

 

Atoll

Lilburn was particularly interested in evoking New Zealand’s natural environment, which he does through meditative drones. Using electronics to replicate concrete elements like ocean waves and birds, he also adds conceptual touches like the stretched tones mimicking bird flight in “Sounds and Distances.” Although he doesn’t often use voices in his work, when he does they are among his better pieces. One of the best tracks is “The Return,” which uses a Maori woman’s voice as a compositional element before turning to a man’s recitation of Alistair Campbell’s poem of the same name.

In addition to his more formal works, included here are his studies documenting his experimentation with singular ideas or techniques, such as the two separate groups each collectively entitled “Five Toronto Pieces,” which were recorded six years apart, as well as a soundtrack for a dance sequence. The DVD contains a few all-too-short excerpts from films that find Lilburn demonstrating his techniques and talking about his ideas, two songs reproduced in four channels as he originally intended, and an illuminating audio interview.

One commonality among these different musical projects is the meticulousness with which they were created. Lilburn struggled with the primitive equipment he had at his disposal and his poise and patience are evidenced in every recording. Rather than settling for unpredictable effects, he took the time to study the technology in depth and harness it to his own end. There are a few places in the collection that hit an introspective plateau and lose some momentum, but for the most part each disc is arranged non-chronologically in a way that balances the different dynamic levels found in Lilburn’s works. I found the third disc to be the most consistently rewarding, yet the other two discs hit peaks just as high.

samples:


 

The Eye: Video of the Day

Macha

YouTube Video


read more >>>

Review of the Day

"Recorded in the Field by..."
Field recording isn’t just pointing a microphone at your scene of choice and hitting record. There is a skill in capturing the atmosphere and life of the moment and allowing a listener to recreate the scene in their mind in vivid Technicolor. All of the artists featured on Recorded in the Field by… have this skill in spades.
read more >>>

Login Form


ryoji_ikeda-dumbtypememorandum.jpg

Search


http://soundcloud.combrainwashedcom


Donate towards our web hosting bill!
Shop
		at the iTunes store