@IMAGE: http://brainwashed.com/lpd/images/covers/chyekkaadzhyd.jpg @ARTIST: Edward Ka-Spel @ALBUM: Aazhyd and/or Chyekk China Doll @SONG: Matt Van Dyke mvandyke@whidbey.net (Chyekk) After listening to chyekk china doll, i realized that edward ka-spel expresses himself through keyboards in a way that eno or anyone else ever could - not that keyboards are the only medium used - chyekk china doll remains a beautifully weird album - ka-spel takes a much more experimental angle to music than he does with the legendary pink dots - although there are not as many sound collages on chyekk as there are on aaAzhyd china doll, there are more waltzes, and waltzes are were its at, i believe! no, really, have you ever heard a keyboard waltz with strange strings and effects in the background with the voice of an insane european man with a lisp hovering over the top? well, if you haven't i probably wouldn't suggest chyekk china doll as the first album to pick up - i have to confess that i can't stand early pink dots stuff because of all the keyboards, but in chyekk ka-spel uses them as no other could, which makes for an interesting listen - and although there are fewer sound collages than aaAzhyd china doll, the few that appear are quite well done, especially for 1985 - oh, and the addition of the vocals from "lady sunshine" give it a nice break from ka-spel's voice which can find rather upsetting sometimes - so, yeah, if you like weird, and you like the pink dots, you will probably like this album as well @SONG: Matt Van Dyke mvandyke@whidbey.net (Aazhyd) Another album in the china doll series, aaAzhyd china doll, is an album that tends to evoke an emotional response even after several listens - fellow dots member, "the silver man" joins mr. ka-spel in what turns out to be a rather weird and negative album - the title track (which also happens to be the opening track) sets the mood with a repetative beat, insane keyboard noises, whispers, and edward saying "get those fucking horsemen..." something something something, i don't know - several lengthy sound collages make up the majority of this album and it lacks the waltzes of chyekk china doll - i would have to say that even with its negative side, this album is a better one the chyekk china doll - perhaps it is because it is two years later and it seems that edward ka-spel is trying to get as weird as he possibly can without crossing over into the experimental - the negative angle of this album could be a precursor to songs like 'city of needles' on shadow weaver - 'blowing bubbles (part III)' is surprisingly similar to mauve sideshow in the female vocals that overlay the intro - but the rest of the song features ka-spel chanting with weird effects on his voice - yeah, i would have to say again that if you like weird, and you like the dots, you will probably find edward ka-spel's china doll series (at least chyekk and aaAzhyd) enjoyable, but if you have never heard the dots before, i wouldn't start with this album - thank you, that will be all @SONG: Paul Wehby pwehby@indy1.CALARTS.EDU I purchased this particular album as a 2-disk set, it came along with Cheykk china doll. The first song on this album has a harsh electronic edge to it featuring spacey vocals that seem to jolt the listeners attention. "Flesh Parade" the second track examins the empty void of meaningless relationships, over a playfully upbeat tempo. Then Edward drops the fabulous and prophetic song the Qa'Spell in our lap. This song reawakens Edwards more self aware side, but does it in a poetic and almost divine manner, exclaiming: "I'll be your prince now and forever". On the track "The unfortunate demise of the fabulous Puccino Brothers", we are invited to sample a taste of what the after life could bring. As far as i'm concerned the next song "Nuts in may" has some of the most well timed keyboard interludes on this album. It gives me chills when I hear such a perfectly sequenced track, such is the case with most of Edwards solo work. However cold despair hit's you as you listen to the voletile Traitors Gate, then quickly fades with the track "Blowing bubbles part III", which has a oddly circus like atmoshere which seems to melt away as the track progresses. The final episode in this masterwork is "The Fool", a winding adventure into the realms of eden, a place where Edward escapes to only to find that eden is a lonley place also. Review by Paul Wehby pwehby@indy1.CALARTS.EDU @SONG: _-*-noiSe frOm tHe spleeNs Of spaCe_-*- http://www.netaxs.com/~grievous/spleen.html Ed's china dolls conjure an image of children's toys which are delicate, easily broken, and possibly enchanted by some demented musician-magician. The music on this 2-CD re-release has this same kind of eerie carnival atmosphere, using mostly synthetic instruments to create a simultaneously dreamlike and sinister ambience. Songs like "The Infinity Waltz" combine an innocuous and familiar rhythm with Ed's unique voice supplying surreal narration...it gives the impression of mad china dolls trapped in an eternal dance. Ed happily sings about "slaves" and "corpses" in an upbeat tempo with his usual elfin charm. Ka-Spel's usual cast of characters makes their appearances on these albums, particularly "Lisa" who is christened and resurrected in two tracks. Fans of the LPD album "Asylum" would definitely like the music on these albums, which were released originally around the same time as that album (86-87). Anyone who likes the synth sound from Walter Carlos' "Clockwork Orange" is also pointed to "Chyekk", which captures that sound and might bring a string of associations with it. "Aazhyd" is less of a demonic carnival, less synthesized and returning to the Pink Dots' "Lovers" for material particularly on the song "Flesh Parade". Disc two has more of a desolate feel, ranging from underwater whisperings to almost industrial wailing sprees. Apocalyptic nursery rhymes and psychedlic soup in this long-awaited re-release from the chinadoll man. [sarada] @SONG: Rex (richwill@xsite.net) Ka-Spel's next two solo albums, 1986's Chyekk and 1987's Aaazhyd, were released together in a double pack by Dutch Soleilmoon-equivalent Staalplaat in 1995. The artwork for the package is beautiful but when carefully considered, the two albums are thematically different enough to merit individual release. Chyekk is somewhat lightweight, containing a number of brief instrumental interludes and synth-orchestrated waltzes ("The Infinity Waltz," "Lisa's Christening"), but overall the album is stripped-down and crystal clear. Slight keyboard melodies like "The Forbidden Zone" and "Lines" are examples of Ka-Spel's best work. Appending a shapeless sound collage like "Colour Me Vexed, Desiree," which was also written many years after the bulk of the album, was a good intention gone horribly wrong as it interrupts the proceedings. Aaazhyd is much denser and darker; whether intended to praise or damn certain psychoactive hallucinogenic drugs, it is easy to see how the album could be the musical equivalent of a bad trip. While arpeggioed pieces like "Flesh Parade" (also on the LPD's Prayer For Aradia) or simple melodies like "Nuts In May" maintain the minimalism carried over from Chyekk, the stark creepiness of the title track and "The Fool" tend to undo any possible feelings of pleasantness while listening. A lengthy epilogue was tacked onto this album as well, but "The Witchfinder Suite (Parts I-VI)" at least fits the mood of the album it complements.