11 March 2001

Administrator

Albums and Singles

Emptylight and Hed Nod/Hushush gather 15 exclusive 'dark hop' cuts for this 75 minute compilation. Artists include several names I was already familiar with - Mick Harris, Ocosi, Su8m3rg3d, NOS, Dijislov and Not Breathing - and others that are new to me: The Dustmite, Zero ID, Shinitaika, Olivier Moreau, Silk Saw, I-drik, Montagnn, Larvae, Turn and Alien Radio Station. Most all of them do relatively the same thing, here at least, with beefy Scorn styled head nodders.No surprise there, but how do all these artists stack up against Mr. Hed Nod himself, Mick Harris? The shit doesn't really hit the fan (like I want it to) until the 10th track when Montagnn buries the preceding 9, including Harris' brief and squelch-y opener, with a more powerful and gritty attack. Larvae then ups the ante again with an even heavier duty, militant rhythm. Turn go ultra low and slow with seriously phat hip hop. Dijislov and Not Breathing thankfully go well out of their way to *not* sound like a Harris protege/tribute/rip-off with a wider and thus more interesting array of sounds. And that is exactly the issue I have with "Low End Recon" ... the 5 or so artists that aren't afraid to change it up some or get seriously low end really stand out amongst the others' lackluster to average tracks. There are no bad tracks per say, but certain ones you're really tempted to skip directly to and repeat. Harris' Hed Nod LP volume 4 and the final installment of the 'Threesome' series are due out later this year.

samples:

• Dijislov - Madness March
• Larvae - Red Line
• Not Breathing - Short Bus Blues

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11 March 2001

Administrator

Albums and Singles

Two brand new CD-Rs arenow available from Terminal Kaleidescope in the EEC and Beta-LactamRings Records in the North America. First up is the third installmentof needles from Edward Ka-Spel. The disc includes more songs from oldvinyl releases "Dance China Doll" and "Perhaps We'll See Another ThinBlue Line" left off of 'Down in the City of Heartbreak and Needles'volumes one and two. Also included here are rare tracks like "TheColour Xhine" from 1993's 'Tape a Break' cassette-only release, "Fuse,"the B-side from 'The Man who Never Was' and some previously unreleasedcuts "Charlotte! Stop Climbing the Curtains" and "Mosquito Munch FullGlory" (an alternate mix of from 'The Blue Room'). While it's great tohave these classic songs available on CD finally, the various sourcestossed together in this CD-R makes for an unclear listening only arabid fan would really love. I'm also somewhat disturbed by the choiceof throwing transition music between a couple of the tracks on here, asa purist of sorts, I'd rather re-assemble the albums in their originalrunning orders. Due to destroyed masters and various other problemsthis wasn't possible however.
Nextup is a gathering of stuff hinted to for years, 'Kollabris' featuresten songs from friends and family of Legendary Pink Dots, including thegorgeous acoustic gem "Bring the Rain" from the 'Artwork' album, thehaunting "Pretty Something" from Lydia Tomkiw as well as a few TearGarden outtakes and unreleased LPD jams. Once again the die-hard fanswould find these songs excellent to have like the alternate versions ofTear Garden's "Bump" and "Georgie" as well as the amusingly titledshort but sweet album closer, "The Bomb Bomb Loopa Tribe Go to Swansea(and eat it)" or the 14+ minute extract from the Empathy session.Similar to the other collection, the artwork is simple and inexpensivewhile the price is rather steep. The rewards are high as a largepercentage of these songs have never been available to the public. Withthe help of BLRR in the USA, these two along with the first three TeKaCD-R releases are now much more easily available for those who don'thave access to Eurocheques and would rather not pay pricey shippingcosts. In the end, the cost works out rather even, so if you were gonnabuy them, you would have bought them anyhow.

 

samples:

• Edward Ka-Spel - Moments
• Edward Ka-Spel - Fuse
• Artwork - Bring the Rain
• Legendary Pink Dots - Super
• Tear Garden - extract from the Empathy session

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11 March 2001

Diane Lewis

Albums and Singles

The debut album of ex-Blue Airplanes member Hazel Winter is a blues-tinged, distortion-wracked set of ruminations on bad times and uncomfortable intentions. Winter's voice shifts from cracked whisper to murderous wail, evoking Portishead's Beth Gibbons and PJ Harvey. Coincidentally, perhaps, Put Away the Sharp Knives features the contributions of Portishead guitarist Adrian Utley and Harvey producer and collaborator John Parish.

Despite the stellar line-up and absolutely vicious, fuzzed-out, and totally tasty mixes, song after song on fractured relationships and dangerous attractions can wear a little thin. That is, like the rantings of any perpetually angry and disturbed person, Winter's material comes on with seductive force, but gets a bit grating on the nerves. That criticism aside, several songs are standouts in this set. "Skin" seems to simmer with deadly quiet compared to the clamor of surrounding tunes. "It's hot as hell in here / You'll burn up on entry, burn up if you come near / It's hot as hell in here / Need a heat seeking missile to penetrate this atmosphere...Watching me undress / Can you see you're wearing one skin less?" Winter coos suggestively, though her voice is ice. "Running on Empty" opens with clawing guitars and reaches a rumbling howl with groaning guitar distortion. Simplicity wins again on "Slidedown," where subtle circling guitars are used to devastatingly desolate effect. The vocals seem their most intimate here: breathy, hushed, and breaking. The lyrics on "Dreamtime" are so exaggerated they're kitsch. "The lights are on and no one's home And there's breathing down my telephone / How did all that happen without me seeing/ How did all that blood get on my ceiling ... Dialing 999 I feel my face drain / The operator knows me by my first name." Overall, though the sound isn't completely fresh, the album occasionally has the power to drag you in-or under-with it.

samples:

• Dreamtime
• Slidedown
• Running on Empty

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11 March 2001

Administrator

Albums and Singles

It's been nearly threeyears since the last full-length album from the Michigan-based Windy& Carl, but the duo have hardly been inactive in the meantime.Along with the album released in 1999 as 5 Way Mirror with GregGasiorowski and various performances including every year's Terrastock,the couple have also been operating their own Stormy Records musicstore full-time. Thankfully a new album manages to surface capturingtheir signature sound of drifting guitar effects, drones and occasionallow-volume mix vocalizations from Windy. I'm almost left wonderingwhere the missing album is as their evolution from 1998's 'Depths' isan incredible leap. 'Consciousness' begins simply with a beautifulswirling glistening guitar melody from the opener "The Sun." The albumcontinues on with a mesmerising "Balance," a sligthly altered versionof "Trembling" which appeared first on 'Brain in The Wire Disc A.'Here, the almost indescribable shaking hum combined with warmundertones conjures images in my mind of traveling on a train throughautumn foliage with the sun strongly blaring in my eyes. I'm nearlyfloored by the almost real string sounds both in that song and thealbum closer, "Resolution", that once again I regret not being intoillegal substances! The rest of the songs show an impressive display ofspace and composition, molding the sound into a serene daze, buildingthem up and then letting them fade at the perfect time. Songs like "TheLlama's Dream" are almost too gorgeous for words to even describe, withan intense wash of sound blanketing the warm bass tune driving the songforward. 'Consciousness' might be one of those albums which could beused as ambience for many low-intensity activities, but the duo'smastery of subtleties results in a blissful experience from listeningat loud volumes in dark rooms.

samples:

• Balance
• Elevation
• Consciousness

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04 March 2001

Administrator

Albums and Singles

The second release in V/Vm's highly limited color-coded distressed-audio series has arrived as an orange/black splattered platter. Stockport's finest has delivered a top-notch selection of intense beefy noise cuts based on rawkus dancefloor anthems, with all due respects paid to Bernard Edwards and Nile Rogers. To quote the sleeve,

"On the 7th of July in Shibuya, Tokyo, Noise/Girl was officially pronounced dead. Cause of death: an overdose of bald guys in black t-shirts 'experimenting' at laptops for hours, too much time at boring 'art' events when there was a dance club next door, too many lame Merzbow CDs released by uncritical foreign record companies, too many live gigs where the audience thought the disco tracks were 'ironic,' too many dumb articles about the difference between 'noise' and other music.
Noise/Girl was NEVER a 'noise' band, it was just a band.
They were the cutest,
They were the loudsest"

Aside from an intro like that I don't know what more to say except I find this one of the finest pieces of shit I've heard in the last few minutes. Seriously, the intensity of the first track alone is enough to send my booty shaking crazier than in my hornier college days. Cute and loud are perfect ways to describe these four songs screaming for attention to blast at the loudest volumes while stuck on the freeway, slaving away hard at the office late at night or getting ready for a Friday night romantic dinner evening. Banzai!

samples:

• Discopathology
• Alice in Boogie Wonderland
• Do You Remember Love?

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04 March 2001

Administrator

Albums and Singles

Colin Potter works as astudio engineer at IC Studios in Preston, UK and is probably best knownfor his work with Nurse With Wound and Current 93. "And Then" is hisfirst solo CD with 5 tracks cleverly titled "before", "...", "next","and", "finally". The disc itself reveals the full message: "before itwas inside, ... but now it is outside, next will come examination, andall will be revealed, finally however nothing is certain, and then?"Drones and curious percussive sounds dominate and are panned across thestereo field. "before" and "next", 11 and 20 minutes long respectively,feature contemplative ambient/noise drone work on par with NWW's"Soliloquy for Lilith". The former opens with a wind swept barrage thenmoves into a deep surging presence while the latter remains relativelyquiet but churns with mechanical undercurrents. "..." begins with abouncy spring like sound which is soon overwhelmed with drab beats andlater dressed up a bit with twinkly bell tones and a preset effectswash I've heard far too many times prior to this. This track strikes meas brutish, amateur and just plain out of place. "and" is a clankymilitary march that slowly builds into a cacophonous climax andrelease. "finally" returns to ambiance with natural environment soundsand a constant surge underneath later giving way to strange metallicwire pings and pluckings. It's really a shame that the tedious 15minutes of "..." are a permanent fixture of this otherwise fine disc.Hooray for the skip button! Potter will likely be involved with theslew of upcoming NWW and c93 releases due out later this year.

samples:

• Before
• And
• Finally

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