Soleilmoon has just released the second and final installment in the BassCommunion vs. Muslimgauze series, simply titled 'Bass Communion vs.Muslimgauze EP.'
This CD features two tracks, titled 'Six' and 'Seven'(you will remember that the five tracks on the other CD were called 'One'through 'Five'). The two tracks are each over 9 minutes long, and theysound as though they belonged on the first disc. In fact, were the twotracks placed on the first CD, there would still be about 9 minutes ofunrecorded space. I can't really tell what sets these songs apart fromthe first five. 'Six' begins with Muslimgauze-style vocal samples, thenturns into a very upbeat piece. 'Seven' is a little more ambient untilthe end, when it also features the upbeat sounds of 'Six.' The songs arevery good and worth the mere $7.99 Soleilmoon is asking for the disc;however, I can't see why the two CDs were released separately. The insidecover also features the story of the Bass Communion vs. Muslimgauze remixseries as told by Steven Wilson.
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This CD features two tracks, titled 'Six' and 'Seven'(you will remember that the five tracks on the other CD were called 'One'through 'Five'). The two tracks are each over 9 minutes long, and theysound as though they belonged on the first disc. In fact, were the twotracks placed on the first CD, there would still be about 9 minutes ofunrecorded space. I can't really tell what sets these songs apart fromthe first five. 'Six' begins with Muslimgauze-style vocal samples, thenturns into a very upbeat piece. 'Seven' is a little more ambient untilthe end, when it also features the upbeat sounds of 'Six.' The songs arevery good and worth the mere $7.99 Soleilmoon is asking for the disc;however, I can't see why the two CDs were released separately. The insidecover also features the story of the Bass Communion vs. Muslimgauze remixseries as told by Steven Wilson.Read More
I haven't had an opportunity yet to see this movie, since the one weekend it played in Boston I happened to be in Spain.
Regardless, the film could simply beyet another attempt at documenting upbeat electronic music (if I usedthe word techno or rave, somebody will surely step in and tell me thedifferences of each). Anyhow, the CD collection is simply okay, leaningtowards the more mediocre with appearances by Psychic TV, Spooky,Future Sound of London and the Crystal Method. I got it for the MeatBeat Manifesto track, and of course am still salivating for a new MBMfull-lengther. Compilation tracks are okay, but they're never the bestof the artist. An annoying attribute of this CD is the one liners fromrave kids which litters the disc between tracks. A wiser choice wouldbe stuffing them inside a hidden track at the beginning which you couldonly hear if you rewinded from the start of track 1... Worth mentioninghowever that as an added bonus, ACIDplanet Express software (for thePC) is included on the disk. It's looping techno software which I'msure functions much better in the full release as opposed to the'express' version.
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Regardless, the film could simply beyet another attempt at documenting upbeat electronic music (if I usedthe word techno or rave, somebody will surely step in and tell me thedifferences of each). Anyhow, the CD collection is simply okay, leaningtowards the more mediocre with appearances by Psychic TV, Spooky,Future Sound of London and the Crystal Method. I got it for the MeatBeat Manifesto track, and of course am still salivating for a new MBMfull-lengther. Compilation tracks are okay, but they're never the bestof the artist. An annoying attribute of this CD is the one liners fromrave kids which litters the disc between tracks. A wiser choice wouldbe stuffing them inside a hidden track at the beginning which you couldonly hear if you rewinded from the start of track 1... Worth mentioninghowever that as an added bonus, ACIDplanet Express software (for thePC) is included on the disk. It's looping techno software which I'msure functions much better in the full release as opposed to the'express' version.samples:
- Meat Beat Manifesto - Parts 1-4
- Future Sound of London - Expander
- Psychic TV - Money for E
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Amon Tobin brings another tasty slab of meat to the table.
While his last full-lengther'Permutation' grabbed me instantaneously, this album demanded a fewmore listens. Tobin's taking his sweet time letting each track buildrather than jump on the main riffs right off the bat and keeping theloop going for 5 or so minutes. Surely this sounds like a consciousdecision, but in return, there's a lot of anticipation in this discgoing on. Give it a chance and it will do well for you, but if thequick fix is what you're looking for, seek out 1998's Permutation.
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While his last full-lengther'Permutation' grabbed me instantaneously, this album demanded a fewmore listens. Tobin's taking his sweet time letting each track buildrather than jump on the main riffs right off the bat and keeping theloop going for 5 or so minutes. Surely this sounds like a consciousdecision, but in return, there's a lot of anticipation in this discgoing on. Give it a chance and it will do well for you, but if thequick fix is what you're looking for, seek out 1998's Permutation.samples:
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Another electronic beat artist who believes in taking his time to build songs before they break out is Cativo.
This CD released on Mille Plateaux's Force-Inc. labelhas a lot of drive and energy similar to that of early Panacea tracks.It's missing something however, it's not as abrasive, loud or evil, butthe songs are rewarding if you give them their few minutes to develop.
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This CD released on Mille Plateaux's Force-Inc. labelhas a lot of drive and energy similar to that of early Panacea tracks.It's missing something however, it's not as abrasive, loud or evil, butthe songs are rewarding if you give them their few minutes to develop.samples:
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Serving up some of that Home-Drone Goodness is the debut from former Motion Picture leader, TOM THE FISH.
Yes, brainwashed readers might recognize him as ThomasGuttadauro in his reviews when he decides to contribute. Nice Godzillareference! Seriously, it's a fun disc of drones between him and fianceeJennifer, albeit a little primitive in the recordings. I saw them liveon Tuesday of this past week and was reminded quickly of going to theaquarium and staring at fish for hours because my parents said theywere cool. You know what? They were. I think this disc is currentlyonly available through Three Lonely Kaiju since nobody wants to stock it yet.
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Yes, brainwashed readers might recognize him as ThomasGuttadauro in his reviews when he decides to contribute. Nice Godzillareference! Seriously, it's a fun disc of drones between him and fianceeJennifer, albeit a little primitive in the recordings. I saw them liveon Tuesday of this past week and was reminded quickly of going to theaquarium and staring at fish for hours because my parents said theywere cool. You know what? They were. I think this disc is currentlyonly available through Three Lonely Kaiju since nobody wants to stock it yet.samples:
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More experienced withdrones this week is Taylor Dupree, who's contribution to the Ritornellseries on Mille Plateaux is a fine collection.
I first put this disc ofnoises and sonic rings on at work expecting to hear clicky cuttymaterial, but was shocked when bass sounds emerged out of nowhere,vibrating the ceiling tiles in the office. Nice job! The MP3 samples dothis album no justice, but it's a nice addition to the collection.
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I first put this disc ofnoises and sonic rings on at work expecting to hear clicky cuttymaterial, but was shocked when bass sounds emerged out of nowhere,vibrating the ceiling tiles in the office. Nice job! The MP3 samples dothis album no justice, but it's a nice addition to the collection. samples:
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Also brought to us from Mille Plateaux is this collection of spacious orchestral sampling.
Ehlkers has done well, but the album gets a little sleepy in parts.Orhcestral sampling can only go so far. The sounds are truly nice butthe music doesn't seem to go anywhere over the course of the wholealbum, which does indeed grow tiresome near the end.
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Ehlkers has done well, but the album gets a little sleepy in parts.Orhcestral sampling can only go so far. The sounds are truly nice butthe music doesn't seem to go anywhere over the course of the wholealbum, which does indeed grow tiresome near the end.samples:
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Released for an exhibit in Brazil, this disc collects music from every album era of In the Nursery from 1986 - 1998.
While there are already many collections ifITN works, this disc along with others provides a good starting pointfor people interested in pursuing more about ITN, as their sound hascertainly evolved over the years.
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While there are already many collections ifITN works, this disc along with others provides a good starting pointfor people interested in pursuing more about ITN, as their sound hascertainly evolved over the years.samples:
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Sam Shalabi's name has popped up on various other records and projects, always with the note that he's of 'The Shalabi Effect.' The eponymous debut double-CD has finally been released through Alien8 in Montreal.
Sam Shalabi's name has popped up on various other records and projects, always with the note that he's of 'The Shalabi Effect.' The eponymous debut double-CD has finally been released through Alien8 in Montreal.
In addition to treated guitars, chimes and vinyl record clicks & pops, traditional middle-eastern drones, tablas and scraped metal add color to this aurally rich experience. For a two hour 11 minute journey, atmospheres are constructed, time melts, spaces is manipulated and moved. The production is remarkably clean and rich, and while much of this might have been pieced together from various takes and mix-downs, the sound is very much of a live semi-improvisational group playing off each other. In parts the music sounds like Orb-produced Indian restaurant music, while others sound like audio paintings of space images crossed with space transmissions. I can only think of two other examples of equally ambitious double-album debuts, both of which have become two of my fave albums of all time, so the Shalabi Effect is in good company.
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Trainer is acompilation—with a few previously unreleased tracks thrown in for goodmeasure—of the early work of the Handley and Turner duo, done mostly,with various aliases, when they were still members of Black DogProduction, whose "Bytes" LP is a classic of the "ArtificialIntelligence" post-rave electronic music on the Warp label.
Trainerincludes also the whole of the impossible to find first Plaid LP,1991's Mbuki Mvuki. Although far from the euphoric rush of breakbeatmadness of 1990-93 english/belgian rave era, Black Dog/Plaid/Balilmusic in those years showed more rhythmic inventiveness than most oftheir colleagues in the IDM (Intelligent Dance Music) movement. Reallythe opening track "Uneasy listening" show close similitude to thesample-based breakbeat hardcore of those days (in this case speeded upvocals included), and most of the tracks from Mbuki Mvuki sound likeslowed down, asymmetrical and elusive rave music. In CD 2, who containstracks from 1992 to 1995, rhythms become more regular and even lessfrenetic, the music now becoming ambientish and Detroit technoinspired, more in the style of A.I. Warp compilations and relatedrecords. While most of the tracks are really enjoyable, a morerestricted selection, alas a single CD instead of a double, would haveretained a higher quality. Highlights include the oddly brazilianflavoured "Scoobs in Columbia" and the much sought after Balil "NorteRoute", really a ninety's update of the Y.M.O. eighty's update of thefifties Martin Denny's exotica. Once upon a time in the future.
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Trainerincludes also the whole of the impossible to find first Plaid LP,1991's Mbuki Mvuki. Although far from the euphoric rush of breakbeatmadness of 1990-93 english/belgian rave era, Black Dog/Plaid/Balilmusic in those years showed more rhythmic inventiveness than most oftheir colleagues in the IDM (Intelligent Dance Music) movement. Reallythe opening track "Uneasy listening" show close similitude to thesample-based breakbeat hardcore of those days (in this case speeded upvocals included), and most of the tracks from Mbuki Mvuki sound likeslowed down, asymmetrical and elusive rave music. In CD 2, who containstracks from 1992 to 1995, rhythms become more regular and even lessfrenetic, the music now becoming ambientish and Detroit technoinspired, more in the style of A.I. Warp compilations and relatedrecords. While most of the tracks are really enjoyable, a morerestricted selection, alas a single CD instead of a double, would haveretained a higher quality. Highlights include the oddly brazilianflavoured "Scoobs in Columbia" and the much sought after Balil "NorteRoute", really a ninety's update of the Y.M.O. eighty's update of thefifties Martin Denny's exotica. Once upon a time in the future.Read More
