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Akron/Family

YouTube Video

Plain and simple, if you go to an Akron/Family concert and do not have fun, you just don't like music.  Akron/Family are this year's "it" band from Young God Records and they've bloody earned it: they have been touring non-stop since April of this year (2005).

The Eye finally caught up with them on their third time through this year and this time was easily their best show ever.  We sat down with Miles and Dana for some quality time talking about their music, working with Michael Gira, and crowd surfing, amongst other things.

Once again a special thanks go out to Stacie of The Critique of Pure Reason who has a knack for picking some of the best shows to produce that ever come to town.

 

The Eye: Video of the Day

Harris Newman and Esmerine

YouTube Video


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Review of the Day

Sugarman Three, "Pure Cane Sugar"
Daptone
Raw honesty and incredible musicianship happens to make this white boy wanna shake his ass. Guitars, horns, organ, and the most groovtastic drums I've heard in a long time work together to drop one giant bomb of grimy funk. Sure, I've heard this sort of thing before and lets face it: this is the same kind of funk made during funk's heyday and it's a hard formula to change without totally spoiling that thing that makes funk so great. But Sugarman Three pull it off perfectly. Wah-wah pedals plaster the walls, organs jive and moan and dear me do they wail, and then there's drumming. I can't say enough about the team of Rudy Albin and Ernesto Abreu. Throughout the album they effortlessly create rhythms that pulse, flow, and force me to sway, tap my foot, or even get up out of my chair and dance the best I possibly can. Even the rather down-tempo "Modern Jive" has a groove to it that simply cannot be refused. "Funky So-and-So" is the veritable big-bang that starts this bad-boy off on the good foot and paves the way for the bad thing. Contained herein is a percussion breakdown made of pure sweet sugar, just as the title implies. "Shot Down" puts some serious tension in my stomach and gets my blood flowing, most of the time I want to scream right along with Lee Fields and it's hard to contain the excitement. (I feel bad for people that have to ride in my car with me when I listen to this.) The tension is real and the funk is hot. This is a lightning-fast record at just over fourty-one minutes long and I think I've had it on repeat for about ten plays now. Excuse me, but after listening to this I have the urge to go out and find myself a lady-friend to get down with, I'm feelin' a bit frisky.

samples:


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