Albums and Singles
Re-master of the 1984 album, a more muscular production than Seven Songs and a pull back from the sonic tribal barrage of The Culling is Coming. Urban Gamelan comes with 12" singles “Coup” and “Language” (and their dub mix b-sides) as well as a beautiful and copious booklet.
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Boston-native Daniel Lopatin produces a unique and gripping, but nebulous brand of ambient-noise. His proclivities span the spectrum from hazy, drone-like tones and noise orchestras to heavily sequenced and layered synthesizer pieces reminiscent of nature documentaries and Boards of Canada. The integration of these two approaches gives Betrayed in the Octagon an uneasy feel, like a science fiction nightmare come to life.
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In recent years, Greg Anderson and Stephen O'Malley have pushed the live sound of Sunn O))) away from the typical riffs, robes, and dry ice formula. This release documents one of two site-specific performances given in Europe since 2006; here their hyper-amplified doom is played out within the confines of Bergen's Domkirken cathedral and utilizes the church's organ as well as its massive acoustics (the other performance being the Moog Ceremony concert in Brussels). Joined by some Sunn O))) regulars (as well as Lasse Marhaug), this is one of the better live albums by a group whose discography is peppered with savage live recordings.
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On the follow-up to 2005's Bass Jihad, producer Dub Gabriel paves a clear road for the contributions of vocalists like Yo Majesty, Jah Dan, and, strangely enough, Michael Stipe. For the most part, the arrangements are relatively uncluttered and self-contained, playing to the strengths of his guests. The strategy works marvels, making for a solid album with occasional peaks of greatness.
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While it almost seems more of an experiment than a true composition at times, this 140 minute work shows the clown prince of minimalist drone working on live improvisations using a unique instrument, a double piano. And while sounding purely experimental at times, the work transcends the academics and is just as enjoyable to listen to as a work of art as it is a study of an instrument.
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