News & Events
Buzz Bin
Snapshots of an abandoned city. Fragments of song drifting out of basements and across alleyways, muffled conversations. Scrutinized, the "music" disappears – maybe paracusia? Brass Orchids, Anne Guthrie’s second full-length album for Students of Decay, is an entrancing collage of new and old sounds drawn from a variety of beguiling sources. Posthumous contributions from the artist’' grandfather, a jazz pianist; obsolete media palimpsests (some vanity, some necessity); tap dancing on a peeling floor… An unsettling and strangely beautiful album – akin to something on the tip of your tongue, which, before you can name it, slips away into forgetting.
Out 3/23/18 on Students of Decay.
- Parent Category: News & Events
- Category: Buzz Bin
- Hits: 4221
"A gorgeous set of new tracks by the brilliant composer and multi-instrumentalist Eyvind Kang. It took him a decade and a half to revisit the vibe concocted on his masterpiece from 2001, Live Low To The Earth In The Iron Age, but the wait was worth it. It features an array of spiritually intoxicating instrumentation: tamboura, electric guitar, organ, trumpet, oboe, trombone, and Korean traditional instruments. Eyvind Kang on Plainlight: "In 2002 I wanted to make a kind of sequel to my first solo record on Abduction, Live Low To The Earth In The Iron Age. I found that the 'weight' of sounds seemed to evaporate the compositions. The last thing I wanted to make was a traditional shoegaze recording. 15 years later, I had a strange dream: a voice said 'Because a plainlight has fallen in Heaven, heartbreak would cease.' This statement then became a kind of guiding image and method. Thus, with Korean traditional instruments playing the ostinato and drone, things fell into place."
-via Forced Exposure
Out 12/15/17 on Abduction.
- Parent Category: News & Events
- Category: Buzz Bin
- Hits: 5997
The high-days and holidays of the agrarian year mean little to many of us today. Estranged from the natural world and its solar cycle, we too often encounter such dates only as decorative names in the lifeless pages of pocket diaries and year-planners. Yet these occasions were deeply significant to our long-dead forefathers, who daubed each with a variety of vividly coloured customs, rites and rituals. The Folklore Tapes Calendar Customs series explores this heady world of seasonal symbolism creatively, through research and artistic reinterpretation.
The Folklore Tapes Calendar Customs boxed set recounts the adventure so far, taking its listener on an arcane journey reeling around the four corners of the ritual year. With Merry May, we encounter the dances, games and fertility ceremonies that once greeted spring and the returning bounty of the soil. Pulling on our Crown of Light, we join the fires, feasts and fairies of Midsummer, with a full-swelled sun casting its enchanted energies around us. At the borderline festival of Samhain we bestride the threshold among the wandering spirits and tricksters that stepped this night Fore Hallowe’en. Our voyage spins to a close at the year’s end with Midwinter Rites and Revelries, where, clothed in evergreens, we forecast the sun's rebirth beside ceremonial flames.
For these compilation albums, each contributing artist researched a specific seasonal custom and, informed by their findings, conjured a sonic movement in response. The pieces are a magnetic assortment of sound collage and foley work, composed music and augmented field-recording. The release documents the Folklore Tapes group as it has evolved to be: a variegated host of musicians, storytellers, sound designers, academics and performance artists united by their desire to get off-the beaten-track in the eerie hinterlands of folk memory. These are playful retellings of long-forgotten observances; library sounds, carried forth on a wisp of smoke from the bonfires of ages past.
The works are presented here on vinyl for the first time in remastered audio (each was originally released – and soon sold out – as a cassette album between 2014 and 2016). Accompanying the records is a horde of precious items: a photogram print, a set of four postcards featuring the original cassette release artwork, and a detailed booklet comprising illustrations, research notes and an in-depth seasonal customs essay. These treasures are housed in a hand-numbered and stamped litho-print box, published in a limited edition of 250.
More information can be found at Folklore Tapes.
- Parent Category: News & Events
- Category: Buzz Bin
- Hits: 6462
The master of twisted noise is adding a new album to his incredible discography. Following his monumental album The Gag File on Dais, Switches is the next chapter in the evolution of Dilloway's sound. Created on piano and tape Switches is a spiraling journey into the rugged mind and soul of one of the most influential figures in radical modern music.
More information can be found here.
- Parent Category: News & Events
- Category: Buzz Bin
- Hits: 6416
San Francisco, CA – Gearing up for the release of its first full length album in over seven years, (they released a tour-only EP last year) seminal electronic band MEAT BEAT MANIFESTO (MBM) is ready for the release of IMPOSSIBLE STAR on January 19, 2018 via Flexidisc distributed by Virtual Label. The album will be available for preorder through iTunes (http://apple.co/2hR3DYb), Google (http://bit.ly/2hZ3vpy) and Bandcamp (http://bit.ly/2xj1uLi).
Often using politics and cultural events as a starting point, MBM mastermind Jack Dangers connects the current climate to the creative direction of Impossible Star. "I suppose it would be similar to an MC Escher optical illusion which spirals around and around and never seems to end, which can be used as a metaphor of many current events and other pertinent things right now," he says.
Minimal, textural and cinematic in scope, Impossible Star follows the music innovator deeper into more experimental territory. From the thick and discordant soundscape of “One” to the cut-and-paste pastiche of “Bass Playa” to the downtempo of “T.M.I.”, Impossible Star is a layered exploration of sounds and rhythms.
"MBM has always gone in many different directions," Jack explains. "'I Am Surrounded' and 'T.M.I.' represent the paranoid xenophobic 'so-called' fake news cycle we are living in. But seriously at this point, I really wouldn't know what to say. We've entered a world of surrealism which is uncharted territory for me… or maybe it's territory we've been through before in the '30s? What do I know… Further explorations are in the pipeline!
With tour dates being planned for next year, MBM will be performing one show on this side of 2018 at Cold Waves LA – Day 2 on Saturday, November 11 at The Regent Theater in Los Angeles (headlining with Revolting Cocks and MC900 FT JESUS). Those familiar with MBM's mind-blowing live performances are fully aware that the visual component combines a sonic electronic assault with their stunning and often political video mash-ups. The visual “battles” waged between mastermind Jack Dangers and MBM partner-in-crime Ben Stokes will undoubtedly be uproariously provocative and incredibly timely with video samples culled from news reports and found footage.
MBM's consistent musical invention has led to all forms of electronic musical experimentation over its 30 year history, from jungle to techno to industrial to dubstep to jazz fusion. Its long string of influential futuristic classics includes such groundbreaking tracks as "God O.D.", "Strap Down", "Psyche Out", "Helter Skelter", "Radio Babylon", "Edge of No Control" to "It's The Music". The single, "Prime Audio Soup"(from the album Actual Sounds and Voices) was featured in the sci-fi fantasy blockbuster The Matrix and on its platinum-selling soundtrack.
An acknowledged and celebrated innovator in the electronic music scene (his remix of Tower of Power's "What Is Funk?" was nominated for a Grammy in 2006), Jack Dangers continues to stretch sonic boundaries and influence new generations of sound activists. As a premiere remixer, producer and sound designer, he has played a seminal role in defining tomorrows' music today. Past production/remixing projects include: Public Enemy, David Bowie, Orbital, Nine Inch Nails, David Byrne, Bush, Depeche Mode, and Tower of Power.
Looking ahead to 2018 and the release of Impossible Star, Jack is cautious at best for what's in store. "Well, I am afraid at this point it looks like it's going to be fear… more fear… I got the fear… happy new year! <mis·in·for·ma·tion> is all we are gonna get now."
Impossible Star will be released on January 19, 2018 via Flexidisc with distribution by Virtual Label.
- Parent Category: News & Events
- Category: Buzz Bin
- Hits: 7118