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Perhaps there was a time that Geffen was pressuring Sonic Youth to make more hit singles, as it looks now, thankfully they have hopefully given up.
  Gone are the whiny rock chick antics of the early 90s Kim Gordon and the chord banging Thurston Moore. There's much more care and delicacy to the noise banged out, this could be the result of Jim O'Rourke's production and occasional playing on the record. Spoken and sung bits through the last part of the disc echo of Slint stuff. On the back is displayed the total time as 42:22. Perfect! We don't get to hear 15 minute long drones in a pop context. Sonic Youth are no longer trying to sneak noise in, they're using carefully constructed dissonance in an album which is arguably their best pop record (Musical Perspectives 1-4 aside) since Daydream Nation.