His Name is Alive, "A Silver Thread (Home Recordings 1979 - 1990)"

A 4-disc, 60-track anthology compiling early work by Warren Defever aka His Name Is Alive, prior to signing to 4AD. This set compiles 3 volumes previously released on vinyl, alongside a bonus disc and 36-page booklet.

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1954 Hits

zakè, "Orchestral Studies Collectanea"

Orchestral Studies Collectanea consists of seven previously unreleased orchestral movements (Tracks 1-7) in addition to remastered variations of arrangements that originally appeared on Orchestral Tape Studies and Orchestral Tape Studies [Tyresta Reworks].

Orchestral Studies Collectanea is a compilation arranged and produced by zakè with additional production by close friend Tyresta. OSC is a group of richly layered movements of fragmented orchestral loops, paying homage to minimalist symphonic composers and orchestras. zakè and Tyresta incorporate field recordings and faint drone billows to accompany these selected samples of orchestral loops. With an emphasis on tone and recurrent murmurs, these arrangements offer approximately 48 minutes of delicate repetition, reticent sound treatments, and subtle manipulations. OSC is intended for low-volume listening.

More information can be found here.

1889 Hits

Esplendor Geométrico, "40 Años Nos Iluminan"

40 Años Nos Iluminan ("40 years enlighten us") is a special edition release celebrating the 40th anniversary of legendary Spanish electronic pioneers  Esplendor Geométrico.  This is NOT a "best of" or "collection" but an all NEW album!

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1928 Hits

Robert Turman, "Chapter Eleven" boxed set reissue

Debuting in 1988 as a self-released 8xCassette boxed set, Chapter Eleven collects the solo recordings (1976 - 1987) from one of the earliest members of the US Industrial Noise scene, coalescing a wide swath of influences and culling experimental techniques into inventive new terrain. Carefully remastered from the original tapes, this deluxe reissue is a long-awaited rescue from obscurity.

"Turman seemed to have taken over where the last of the great synth based kraut artists left off in the '70s, infusing the spiritual meditation music with his own brand of loop hypnosis, slowly moving drones, industrial patterns, guitar fuzz, and even some in-your-face 80's style synth work" - IMPOSE Magazine

More information can be found here.

1834 Hits

Mouchoir Étanche, "Une Fille Pétrifiée"

The main reason that I follow Marc Richter's career is simply that he keeps releasing great albums, but he deserves a lot of credit for being one of the most restlessly creative and consistently adventurous artists in the electronic music underground. In keeping with that theme, this latest Black to Comm side project is arguably another experimental playground akin to Jemh Circs, yet Mouchoir Étanche's first full-length unveils a surprisingly focused vision best described as "somewhere between a chopped & screwed opera and a fever dream about an imaginary Dario Argento film set in a cathedral."

Cellule 75

The delirious intensity of the opening "Enter Mirror Hotel" is probably the perfect distillation of this latest direction, but it has some tough competition from a few other pieces deeper in the album, such as "Sécheresse," which brings together an achingly gorgeous descending organ theme with an evocative host of found sounds (children playing, ringing metal chimes) that overtake the original motif and transform into a smeared nightmare. "Le rêveur illimité" is yet another favorite, as overlapping layers of a woman speaking in French tumble over each other while eerie drones mass and slowly undulate beneath. It sounds a hell of lot like what would happen if Félicia Atkinson decided to create her own alternate soundtrack to Suspiria (which I sincerely hope she someday does). Admittedly, some of Une fille pétrifiée's other pieces are occasionally too indulgent for my taste, but Richter is generally in fine form, as he sustains a unbroken mood of haunted and bleary hypnagogic ambiance while still playfully stretching and twisting samples far beyond recognizability. In theory, Richter's finest work will always wind up on his more formal and "composed" Black to Comm albums, but he clearly has too many excellent ideas for just one outlet and some of those ideas work quite beautifully in this more spontaneous and collage-inspired incarnation.

Samples can be found here.

2054 Hits

Alina Kalancea, "Impedance"

Impedance, an entirely instrumental album spanning 4 sides, contains powerful rhythmic sequences, heart-beating frequencies and hypnotic loops that are paradoxically encapsulated in carefully crafted compositions which are full of secret passages and hidden doors. Kalancea's work creates ungraspable sonic experiences, which take us over, immersing us in powerful and mind altering soundscapes.

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1620 Hits

Dead Sea Apes, "Night Lands"

As darkness falls, once familiar territory is rendered alien and foreboding; full of weird and terrifying possibilities. These are Night Lands.

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5313 Hits

Sunburned Hand of the Man, "Pick a Day to Die"

"Sunburned Hand of the Man might be the last of the great American free rock collectives. There was a time, not too long ago, when every region of this great republic could boast of its own visionary troupe of seekers and improvisers, thrumming at the frequency of the illuminated world. There was Pelt in the south and Jackie-O Motherfucker in the Pacific northwest, No-Neck Blues Band in New York and the iridescent Jewelled Antler out in the Bay Area. And up in the New England wilds, there was The Sunburned Hand of the Man.  David Keenan of The Wire memorably called it the New Weird America. It felt to me like the mystical democracy of Walt Whitman. It was never arch or jittery or wiry; it sprawled like the continent and massed like the seas. It produced some of the most singularly thrilling performances that I ever had the privilege of witnessing. Most of those groups have since gone dormant—disbanded entirely or decomposed into smaller units and solo projects. But the Sunburned Hand of the Man remains.

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1815 Hits

Rachika Nayar, "Our Hands Against the Dusk"

The debut full-length from ambient-electronic composer Rachika Nayar, Our Hands Against the Dusk, is both kaleidoscopic and inventive, but far from cerebral. In mid-2019, the Brooklyn-based artist chose the cover image (a video still of her hands entwined with a friends') from an old collaborative project. Along with its title lifted from a Richard Jackson poem, the image of "touch" references deeply (inter)personal experiences that animated the album over the four years it was written: not just caress, but encounters and collisions.

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1718 Hits

Ashley Paul, "Ray"

Ray is Ashley Paul's bright, sensual return to Slip: a lifting, delighting suite of yearning winds, loose beats, and cocooning, humid bass coming together and falling apart as songs.

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2358 Hits

Kuupuu, "Plz Tell Me"

Sparkly disjointed pop by Finnish luminary Jonna Karanka!

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2288 Hits

Vaagner/Vaknar Fall & Winter 2020 Tape Batch

Canadian violinist Christopher Whitley presents his first release of this year, Landscape Shifts (Slight Return), a collage of material derived from a 40-minute single movement piece that originally premiered in Austin, Texas earlier this year, composed by Christopher Whitley for small ensemble, electronics and projections.

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2295 Hits

The Bats, "Foothills"

Spanning the last 38 years, The Bats have clocked nine incredible albums; each one seeing the band evolve with new material from the prolific songwriting hand of Robert Scott. Add to that tally the extra singles, b-sides, EPs, compilations and tribute songs they’ve recorded, creating a succinct setlist is a nearly impossible task.

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2167 Hits

My Cat is an Alien, "The World that IS and IS NOT"

The World that IS and IS NOT is the enigmatic title of My Cat Is An Alien's new "concept album."

The World that IS and IS NOT is the existential reflection of MCIAA on 2020: a pandemic scenario where everything seems to vanish into the Void.

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2249 Hits

Black Wing, "No Moon"

Dan Barrett— the man behind Have A Nice Life, Giles Corey, and Enemies List Home Recordings— has unveiled details for his sophomore album as the electronic project Black Wing. Due out December 11th on The Flenser, No Moon is a gorgeous chillwave/post-punk record with nine bleak yet blissful songs and is a fitting close out to the year 2020.

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8076 Hits

Meitei, "Kofū"

It began with Kwaidan, a simmering study on the lost art of Japanese ghost story-telling. Then there was Komachi, baptized in the earthly winds and static that define its comforting sonics.

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2450 Hits

Longform Editions 16

Longform Editions 16 presents four new pieces from a diverse set of artists exploring ideas through sound composition surrounding listening, perception and focus, both in the abstract and our everyday.

claire rousay
it was always worth it

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2571 Hits

Mouchoir Étanche, "Une fille pétrifiée" (Black to Comm)

"I am sitting in a garden, I haven't left the property in weeks, someone is dropping off food once a week. I haven't seen a human being in ages, I feel like a reverse Schroedinger cat - do I exist when nobody sees me? I must be somewhere in France but I don't remember. I have lost my consciousness again. When I wake up I hear a broken record looping somewhere in the mansion. A washed-out opera. Behind the trees I see the dilapidated hermaphrodite sculpture in a field of verdant nettles and fern. I hear gunshots far afield, aeroplanes in the sky, sirens on the main road.

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2271 Hits

Actress, "Karma & Desire"

After recent mixtape 88, Actress reveals new album Karma & Desire.

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2638 Hits

My Cat Is An Alien & Jean-Marc Montera, "Nuit d'Hiver"

It was on a winter's night ('Nuit d'Hiver' indeed) five days before Christmas 2018, when My Cat Is An Alien and Jean-Marc Montera converged onstage to perform for the second time as a trio, proving once again their heavenly graced and powerful music-mind-soul connection. As it happened at their very first live encounter in 2015 (released by San Francisco cult label Starlight Furniture Co. under the title Union Of The Supreme Light in 2017), "Before jumping on stage, NO word was spoken about the concert we were going to play, nor even trying to figure out any sort of basic music scheme to be followed" recalls Roberto Opalio.

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3138 Hits